ART JOURNEY: Zamalek Art Gallery - Egypt
When
you visit Cairo, in Egypt, and you have such an adventurous spirit for
searching the past of the greatest pharaohs, this is you start. Zamalek ArtGallery encompasses historical antiques and contemporary art. The Gallery
houses a permanent collection for pioneer Egyptian artists, as well as for
promising young talents. It is located in the heart of Zamalek, the
cosmopolitan quarter of the capital, where most of the cultural events take
place. A 200-square-meter of exhibiting area, this is one of the most spacious
private galleries in Cairo.
Zamalek Art Gallery organized several Art Festivals and Cultural
events, and carried out a considerable number of projects. Some of the
permanent collections include artwork by artists like Abd El Rahman El Nachar, Gazbia Sirry, Armen
Agop, and Souad Mardam Bey.
Born
in 1923, El Nachar obtained his PHD in Art (painting division), from the
Budapest Art Academy in 1978. He participated in numerous exhibitions and was
awarded the 1st prize in painting at the Cairo Salon, and later the 1st prize
of the 4th Biennale 1992. Most of his work is now exhibited in El Nachar / Al
Sageny Museum, located on the Alexandria-Cairo Desert Road.
In
the early stages of his artistic career, El Nachar depicted themes that adhered
to reality of everyday life through a combination of both expressionism and
surrealism. It was later that he subjected his art to a change in style and
moved to Abstract Art. During the last 10 years of his artistic life, before
his demise in 1999, El Nachar ventured into the realm of Islamic Art, a primary
medium of geometric abstraction.
Born
in Cairo, Gazbia Sirry studied fine arts and became a professor in the painting
department of the faculty of Art education, Helwan University.
Gazbia
is considered one of the leading Egyptian artists, with a varied and innovative
career of more than 50 years.
Her
career is rich and diversified, and is characterized by an extraordinary
versatility. It would be difficult, though, to confine and limit Gazbia in any
traditional school, although her vivid and bold brushstrokes share features
with neo-expressionism: a school of individuality and personality.
With
a rich curriculum, including more than 50 personal exhibitions, from Paris to
Washington, from Venice to Sao Paolo, from Kuwait to Tunis, official purchases
by international museums, international prizes, scholarships and important
university chairs, Gazbia continues to paint for the love of art, a way to
express her joys and fears. Describing her art, Mokhtar El Attar, said:
"Gazbia
does not paint, but rather pours her soul, talent and intelligence on the
canvas".
Born in Cairo in 1969, Armen Agop graduated from the sculpture department in the Faculty of Fine Arts from
Helwan University, Cairo, and then received an Assistant Research Scholarship
in the Faculty of Fine Arts. In Cairo, he participated in many diverse shows:
exhibiting at the National Exhibition of Plastic Art, and at the Autumn Salon,
where he received the sculpture prize in 1998. In 2000, he showed at the Safar
Khan Gallery with the work of Kamal Khalifa. In 2005, he held his first solo
exhibit at the Center of Art Ekhnaton 1 Gallery. In 2000, after receiving the
State Prize of Artistic Creativity "Prix de Rome," he moved to Italy
where he began to show in the National Gallery of Modern Art with the
exhibition, "Diario degli artisti stranieri a Roma;" the same year he
participated in the show, "Young Egyptian Artists" at the Egyptian
Academy in Rome. In 2005, he participated in the collection, "Lo spirito
della pietra" at the Accademia nazionale di San Luca, Rome. Also that year
he held a solo exhibition at the Centro Culturale L. Russo in Pietrasanta,
Italy.
At the same time, he showed abroad: in 2002, he participated in "Scultori della provincia di Lucca" in Miami, Florida. In 2003, he participated in the Guillin Yuzi Paradise International Sculpture Exhibition in China, the Bergen Fylkesgalleri Exhibition in Bergan, Norway and in the Toyamura International Sculpture Biennale in Japan.
In 2005, he showed in Egyptian Contemporary Art, Toledo, Spain and in the M.P.V. Gallery, Holland.
From 2006 through 2008 he exhibited in the Veksolund Gallery in Denmark. His works are also represented in the Egyptian Modern Art Museum, Egypt, Aswan Open Air Museum, Aswan, Open Air Museum of St. Martin Park, Comblain-au-pont, Belgium, and Coral Springs Museum of Art in Florida, USA.
At the same time, he showed abroad: in 2002, he participated in "Scultori della provincia di Lucca" in Miami, Florida. In 2003, he participated in the Guillin Yuzi Paradise International Sculpture Exhibition in China, the Bergen Fylkesgalleri Exhibition in Bergan, Norway and in the Toyamura International Sculpture Biennale in Japan.
In 2005, he showed in Egyptian Contemporary Art, Toledo, Spain and in the M.P.V. Gallery, Holland.
From 2006 through 2008 he exhibited in the Veksolund Gallery in Denmark. His works are also represented in the Egyptian Modern Art Museum, Egypt, Aswan Open Air Museum, Aswan, Open Air Museum of St. Martin Park, Comblain-au-pont, Belgium, and Coral Springs Museum of Art in Florida, USA.
Mardam Bey’s oversized
canvases are brimming with undercurrents of emotion; layers of color and
intricate details which adorn her subjects, yet it is their eyes that leave you
spellbound. Trapped behind hauntingly beautiful irises are tales derived from
life.
Her palette alternates from
one painting to another; through scarlet backgrounds, violet turbans, and
orange cloaks - the artist professes her passion for color. Still, she grants
each of her subjects a colorfully, melancholic persona. Their plush lips are
sealed, fencing in their deepest secrets, while their eyes ratify an ethereal
disposition.
The artist has seen her
subjects a million times before, either lurking around or speeding past her on
the streets - and all around her head. It is humankind, which drives this
artist’s paint brush. Yet Mardam Bey does not simply produce snapshots of your
everyday man and woman - she creates a community of otherworldly creatures,
held captive to her use of overpowering colors and entrancing techniques.
The gallery is open from
1030am until 9pm except Fridays.
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